I DO NOT DO COMMISSIONS AT THIS TIME.
Please don't ask.
WTF: Yami no Matsuei Cosplay
(That's Descendants of Darkness in the US)
We love Yami no Matsuei! As a result, we love YnM cosplaying.
These costumes were worn at
YaoiCon 2002
, and we intend to
wear them again. :-)
[Skip to Muraki]
Oriya
For the Oriya costume, we used a Folklore pattern (a historical
pattern company) for the kimonos. We used plain black
broadcloth for the underkimono, a nice deep matte red for the
kimono itself, and (because we couldn't find the same matte
material in blue) a dark blue satin for the haori/overkimono.
Once we made the kimonos, we stamped and painted the two
outer kimonos with fabric paint for the floral designs, and when
that dried, we used our heat gun to puff the paint. (If only I'd had
the time to embroider the flowers... *Starherd gets smacked by
Kasra for mentioning embroidering again*)
The obi (sash) was fashioned from, of all things, Nascar Racing
checkered-flag print cotton. We certainly have the ability
to make one a little closer to that of the picture (with
rectangles instead of squares). Before I get smacked again
for mentioning embroidery or quilting, we could achieve the
same effect by stamping (or painting) with fabric paint. :-)
Our friend chose to cosplay Oriya because her hair was close
already, and we were able to get a simple pair of flip-flops for
footwear. Unfortunately, our lovely kimonos - which would've
been wonderful for the spring/summer conventions - were
pretty cold in San Francisco in October! She ended up wearing
a pair of cut-off sweatpants underneath to keep from freezing.
Stupid temperatures.
The set of three kimonos (two painted, one underkimono)
and obi (sash) for Oriya would be about $250.
Muraki
The Muraki costume was made primarily from bought pieces -
we were quite lucky to find a white tuxedo jacket at a thrift
store - but the trenchcoat had to be made from scratch.
I (Starherd, the wearer in the first picture) first puzzled out
a pattern, then cut the pieces from white cotton twill (which
has a great weight and feel for a coat). Finding the lining was
actually rather difficult; I bought nearly enough for two coats
of a really beautiful, terribly pale lavender material, which
turned out to be discontinued later on. (I have one other coat
with that lighter lining, but after that, all coats would have the
slightly darker lavender lining that is currently available.)
The sleeves are of particular note. On version 1 of the coat,
(see top picture below), I used no interfacing and only one layer
of material for the odd upper-arm cuff. Unfortunately, once I
washed that, it lost all its will to stand. So, on version 2 of the
coat (see lower picture), I used interfacing and a second layer
of material. The resulting upper-arm cuff should stand even
after repeated washings.
What manages to be invisible in both pictures is the panel on
the left sleeve of the trenchcoat. This can be done either
by attatching a patch of silver material, or by attatching a
piece of metal (as was done for Version 2 of the coat; the
metal detatches for washing).
The wig in the top picture below is cut and (badly) styled from
a much longer wig (and with a little more work, would make a
good Dilandau wig). We're currentlly inspecting options for a
better wig; the price below would be for one just like that in
the picture.
The doll came from a flea market, but we've seen excellent
dolls at the local Goodwill stores, too.
Oh, and we found great, comfy, all-white shoes for the outfit,
too - they're put out by Dr. Scholl's and are available at Wal-Mart.
For both of the pictures below, the far picture on the right is
the same as the picture to its left, but has had its contrast
adjusted to make the lining, piping, and straps more visible.
Also made for this costume was a chest-binding, which worked
very well. It was constructed from 8-inch wide elastic,
with Velcro closure. After re-adjusting the binding a few times,
I found that it could be quite comfortable to wear, but I advise
that one practice wearing such a thing before a convention
so as to learn how to wrap it most comfortably.
The Muraki Trenchcoat would be $120. The wig would be around $50.
Chest-bindings unavailable until more 8" wide elastic is found.
Want a Muraki Coat, Oriya kimonos, or anything else
Yami no Matsuei-related? Just
let us know!
(Please read our
Ordering FAQ
before requesting a comission.)
For more about Yami no Matsuei, check out
Theria.net
.
Page created by Starherd
.